Inspired by the theme of the hand of God, "Glitch" revisits the famous theme of creation by marrying matter in the virtual era. Here it is the marble form that becomes pixelated, as if contaminated by a digital virus. It is a questioning of the relationship of the body to the digital world that is grasped in matter. By applying the typical interference of the digital image (noise or glitch) to stone, the sculpture becomes lighter and tends to become dematerialized. At the heart of the digital revolution where screens filter access to material reality, it is also the debate between the senses of touch and of sight that is staged.